Showing posts with label Wirgin. Show all posts
Showing posts with label Wirgin. Show all posts

Wednesday, August 18, 2010

a small, good quirky thing

What a quirky little camera. It's been a while since a newly acquired camera has given me pause--made me think, "hmmm. what have we here?" Maybe it's because it has been a while since I've tested a new camera and the whole testing process seems somewhat new and novel again--like there's something to appreciate with each and every new acquisition. (and believe me, this has not always been the case. . .far from it!) Or maybe it is the case that the Wirgin Junior folding camera is actually pretty cool, pretty quirky.

A bit of background: I saw this item listed on ebay when I was searching for exposed film. It was about the time when I told myself that I wouldn't be buying any new (new to me, anyway) cameras unless they were tlr's. I should have known that once I made this commitment, I'd find a way to break it. Anyhoot. I was intrigued with the camera cause I could find so little specifically on or about this camera--not even on flickr. There is some info there on Wirgin cameras generally, but not really much of anything on the Wirgin Junior. What little I found seems to be incorrect. This fixed focused camera has two shutter settings, 1/50 and B. And it takes 12 6x6 shots, not, as indicated elsewhere, 6x9 shots. The camera itself is in great shape. I got it [the camera] along with the box, manual (both in minty condition) and the exposed roll of film for 20 bucks. [As an aside: The exposed roll of film was pretty much a bust--only three or four exposures had been made, and none of these were particularly interesting. . .didn't really do much by way of making me eager to test this one.]

The camera had been loaded (with artista edu 100 speed film) and ready to test for the past month or so. I just never got around to testing it. Till yesterday, that is.

Images like this make me think the Wirgin might actually out-Holga the Holga. . .or perhaps it would be more accurate to say that it might out-Diana the Diana. Well, almost. I was a little surprised that the images came out as underexposed (or dark) as they did. I worried that even 100 speed film might be too fast for the 1/50 shutter setting. I'm thinking next time around, I definitely want to go with 400 if not something higher. The images of the Thomas Viaduct below where also among my favorites on the test roll. They don't suggest Holga to me in the way the guard rail image here does, but I'm pretty fond of them.




































Here's my main complaint: The lens appears to be way too soft to handle distance combined with lots of detail very well. Things get fuzzy, bunchy, blurry. Contrast, for instance, the image of Lost Lake left with the one below. The rail and cattails in the foreground of the image below help me make sense of the composition as a whole--gives me something(s) upon which to focus/anchor my understanding of the scene. I still have to do some more experimenting with distance here but I'm thinking that this camera might work best at greater distances with simple/singular subjects (like the viaduct) but will likely do the best job when I'm about 5 feet from whatever I'm attempting to photograph. Another complaint, albeit a minor one, is that it's hard to tell--based on the sound the shutter makes, how it feels when I depress the shutter button, etc.--if the shutter has actually fired. Although I had made sure it worked before loading the camera with film, I had this worrisome feeling while working with the camera that all my shots would be blank. They weren't of course. A small, good quirk: When I began scanning these negatives, I realized that it appears as though I have created my own jagged mask for the film plane. I haven't. I realized that I cropped the jagged parts out of most of the shots here, but you can see a little of what I'm talking about at the bottom of the guard rail image above.

I've included a number of other images from the test roll here as well. As I try to do with every new camera I acquire and test, I had to get the Wirgin Junior's take on the bend as well as the swinging bridge. I was, on this same outing, taking infrared images with my Twilight Zone Holga, so the second to last image below depicts the moments before I took some Holga infrared shots of the bend. [Note: Images were developed with Diafine]



Saturday, July 10, 2010

found film (still more woe)

The Wirgin Junior folding camera arrived today. By the by, there's not a heck of a lot out there on this camera, though one site incorrectly refers to it as a 6x9 120 camera. It's not. It takes 6x6 shots.

But back to the woe: Compared with my experience with the Diana 151 that arrived the other day, in this case, I knew that the camera would arrive with an exposed roll of film inside. Still bummed about yesterday's mistakes, I took the time to re-research the best way to develop this film. Otherwise put, although I had developed old, long expired verichrome pan in the past--successfully so, I might add--I didn't want to leave anything to chance. An added complication (and additional motive for conducting re-research) was that I was out of Diafine, my usual go-to developer for old b/w films. Following the advice found here (. . .though I have to admit I was conflicted, thinking that maybe I should follow instead the advice found here?) I developed the film in a 1:14 solution of HC-110 for 8 minutes, agitating for the first 30 seconds and then twice every 30 seconds for the remainder of the development. After the fix and before the rinse I took a peek at the end of the film and was delighted to see that I hadn't botched the development. The truth is, the past couple months have been really sad (or as I'd like to think of them, unlucky) for me where found film has been considered. And by "found film" I mean specifically film shot by another, later found and developed by me. . .this as opposed to finding other people's developed negatives. I call that "just plain lucky." I trashed two rolls as a result of using what turned out to be way-exhausted Diafine. Argh. And then there was the C-41/C-22 debacle yesterday. So with this film, I really needed a win. Or, if not a win, I just needed not to %$&!# this one up too. So, the good news is that I ended up with this image:










. . .a portion of which I'm really quite fond.








and this too. definitely a more abstract-y version of the snow and tree line above. and then there was one other image on the roll--a really uninteresting image of a squirrel sitting in snow. Problem was, the squirrel was so small and the snowy landscape so ginormous you had to magnify the image a lot to figure out the speck on the snow is, in fact, a squirrel.

But that was it. Nothing else on the film. Boo. Not the best couple of weeks (or has it been months?) for me where making pictures has been concerned.